JFIFC    $ &%# #"(-90(*6+"#2D26;=@@@&0FKE>J9?@=C  =)#)==================================================" }!1AQa"q2#BR$3br %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz w!1AQaq"2B #3Rbr $4%&'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz ?8RQNJ X2=jT MՌ~T𞂞=TJbR,~JP(_LVu֭im A ;ĺr*ɌpqǦk:[oNNqӥUkni]x wڶ:;jh'#ĻT dpujRyyw %2J7Gkm>f+rd\Vc[r; yZ|?O!M.[ nG {~t+FMJ{mvܧ54:x~\|n֎R# ւe6\u͕m5R 1goiQ&V)L+׊Rec"EiVO6%gN@)-D DNS"U12Hݩ2{cUT* uN2EOK?ٺsn1$z+M[{WpeWSVJcxd! ޫHKJ1y̛#7*؜h?eݳ*H^Ď٧pv9vJʵ/,|.[f.`θt=! OANWԢ u&F!:RsIjB@#6a֯\ir=y'UKTSQ5^H>j1+C) drRB^WkfisCE[cx Wtdu@B@8R..)p QXzҳ03<~ۙAlc6]2+Rqi{ҌmVM֎f\az!~dV6*d'})Zh$y`d X~$VSp"QNX/|J-bj*NVԨۡInJ\sǥu!FgQܩF ɔܪ~_{T it(0h݅X3o4U:UVBCF#=RR9=;Ε0HGByrɨo,IW|AXYW+1VңtHʌJsVYG=)tG\EQ@0*k*4^{fRDsz:ӥ1)he`wA&BzI2[ȋY \奖bC6H$t:-v I?|7mjtXؕQ׮}kVS{ݕ& 瞣Q2jL}T c֫1ÐX}kV)&ߵpOZ)$ݹ#o֙CdIsŽ@YyA]DO1ZƤt49'Ҩʸ$gVyp*ݜb;rzbRVDN["# bUc.-^csC+Դ$1:#=9Ptf{jIlq+/A^D ~esPPˏJc5aEFFHeVT>R` ڢArE%QJ0 N)\]EOB~{8]r `/iMDjL ^v\}zFgeG!cKpǂGZfhkE.To|ہP6DPBsMpF3boC;Pr8=)HQ0[z' qڝ.9I.~@z`u+̇9 u52;+)i iFIR1YwD+m^|1ܼ>#ճqC͐\u QӥCUQQ0> w]`Nz)U&_S&OoJ?BCZh Sn2)&Ҍ0"\cIsy(<ƃϏ#x@ݵL뚍0MWSq {tY.-ڏxq*=ZSG[$0fTl7d6m;N@>=yOL߁66)uxO&qc@i LeC-bb?&yǵS潧agDpy+KZ<0rIHYNA9v[qix)5{#b\4QB$ϯҲ|a$(02W?*kf /Zڷk$+@F Z Z-5fdDRU?t=\r )Tm»+iO3YF7̥]=1HẜwvOD07vn0\զח$8ֽ{u e/;~MtM9 ;cy6(ScPgV#/c\s\Yz#0pOAf[bUfu1R=Q՘?ZwȨX{ߥt׎b>@P!XOr{2gjQR8iQ2cq6TI/?t F3!UKqS:@_JVbEb}'^#@/wYGQPj(OEDLqѣ` [Ooh c9 c~U<[PvV#Q\3yB0f3P 2H$si97sc+I5mIJF18=*y6y ֕XVn!^F[G#]Ҿy h#C_ZK Z.ђusZ%tl b(jO2<GEnm; f*yr e#Lp+W|#q[j@h@usV3z:9@۽F*I峷 qPJԚ63oXܟJ𿉇ufRe{IS-^Wh1d!T),#*ȤS[a{ǩ:8e` =1.WMص8NW1 ՕU#ַj:"s*Ͽj5~՛,NjXZ  hnڊlVQmUXFB,sUyB,ة:NLjzNz {;v$?CL{[<& ?k vӱ\`'4EEsۻ; Ɩb[zJ1{E(i'/nG`CeGZ:wlӓ$'+Ojq*lLFϷ^V`LQe->\+7 dz3rLWCVE pU+^mb+8a#NsOk)մL-0_?.߅dPM=?I_PCc1ތQL$IbD$l8t "$Wt^I}Ԑ窃?Px;cenRCLp}e?ҷ?Q\Dt?X d4V["7jΩs֬#qB7NMN&mSt tuG3qmj!T\Ki4cz q]s4¾Γotӑ(Mk'xw?#rx5cރUCpuUk ƬC*X|/7 wiM+dϫAwʣcO"rP(P.bӬoجJ>f҅N<"ƅx5'o琾=a^X67c8r¼vAn3ҳr;5e˂0Nj#j Ϧ*o%5 sŹ$-'+J!urY䣡!/5A5 ʀjΨT={)ckh U9\V:7RM$W|.~vPs$WYGBlE~+`{gmWG_coy)Q\˾f$Ujy I=2I=MU].wc-YЖ0Iʀ;tB*e`R32 =j ͹jʙ"  DF[mEYw5Ւ ~* i)Z#_+s ?tz$Kg-÷TѶ  Y  0&6dgޠlxS91_|IQ$a*U0³|rF5p{`ڑq vi>U sA/#ҭkp#$ܒִׁJfTa@Sj ѸwzPI'ŸHm yP v3Vn^/1Ʌ@<VR#AݎE\ʩB{VF ,y1sؾ<8iנor"Kᚋ/hғɯ*Ԯy Rr j!Lg-:=ퟯ[VʳPwU=H/sԇ'bouO+LLOHI:Sfb P]č@ϨA` oqμ\˴Vu^E# Oqҭ!ع֫&8\:Ի.F$ڢ%2sF$q" >n*mbAl? )l=ܧj9f91Rq?  UqZYeU'`9' Dc$sYjYdn''ɪ1&C%RmM[i&a}LZ%1%p@'եj(ơ| sRkl=S@4 aM (ܸNF.Y*Xּ* x>QZ"D*ܐ~ WTdp;!hA%ί}vi\1+k RӜvq>QRXUm&ݽ|ʡۥUΞ}8VAs!w)"9_@U) Q@cribed.<br>After you have mastered the glute-ham raise from a two-notch increase of the foot/ankle pad, you are ready to move the foot/ankle mechanism one notch closer to the front pad. However, you must lower the foot/ankle pad back to the beginning position. To progress from this point, repeat the sequence of raising the foot/ankle pad and the hand/arm positions as previously done.<br>After you have mastered another two-notch raise of the foot/ankle pad, you are ready to bring the foot/ankle mechanism in another notch (see Photo Nine). Go through the exact same sequential progression until you are ready to make the final adjustment to the foot/ankle mechanism (see Photo Ten). When that level of difficulty is mastered, then you should go back to the foot/ankle pad and move it up to the third notch but move the foot/ankle mechanism back only one notch.<br>Your final progression would be to adjust the foot/ankle pad to its highest position and the foot/ankle mechanism to its closest position and perform three sets of 25 reps (See Photo Eleven). Wow! That would take a superior athlete. <br> down, where would it land? In this case, in this photo, the string would land in the middle of his foot which is perfect. (Photos will be added at a later date)&nbsp; If you had 50 athletes in the bleachers, it would take less than two minutes to identify all the athletes who would not fit this perfect alignment format. It would also only take about two minutes to correct any alignment problems. There are three ways to look at knees for correct squatting alignment: Knees out, in or forward.</DIV> <DIV align=left>&nbsp;</DIV> <DIV align=left><STRONG>Knees Out: </STRONG>(See Figure 2)&nbsp; You will be able to see this problem easily whether the athletes are in the bleachers or actually squatting.&nbsp; The knees-out problem can easily be corrected by just widening out the athlete's stance.&nbsp; Widen out the stance until the knees are aligned directly over the toes.&nbsp; Squatting with the knees out will put unwanted pressure on the lateral collateral ligaments.</DIV> <DIV align=left>&nbsp;</DIV> <DIV align=left><STRONG>Knees In: </STRONG>(See Figure 3)&nbsp; This problem is quite common with women athletes and junior high age boys.&nbsp;Again, you will be able to see the knees-in problem from the bleachers or squatting.&nbsp; When squatting the knees-in problem will surface on the way up.&nbsp; The knees are usually alright on the way down when squatting.&nbsp; The knees-in problem is more difficult to correct and puts unwanted pressure on the medial collateral ligaments.&nbsp; The first step is to yell "knees" to the athlete while squatting.&nbsp; This is a signal to force the knees out over the toes.&nbsp; </DIV> <DIV align=left>&nbsp;</DIV> <DIV align=left>This signal may or may not work the first time.&nbsp; If not, the second correction technique is to lightly slap the inside of the athlete's knee as shown in Figure 4.&nbsp; This gives the athlete a kinesthetic feel of the problem.&nbsp; The cure usually happens after only a few light slaps.&nbsp; If the problem persists, then video taping the athlete squat so he/she can see themselves will almost always do the trick in those few extreme cases.</DIV> <DIV align=left>&nbsp;</DIV> <DIV align=left><STRONG>Knees Forward:&nbsp; </STRONG>(See Figure 5)&nbsp; Many beginning squatters will want to lift their hills off the ground and bring their knees forward as the main part of their descent pattern.&nbsp; This puts too much pressure on the patella area besides being horribly ineffective.&nbsp; You may correct the knee-forward problem by letting the athlete hold on to a partner's hands for balance as in Figure 6.&nbsp; The athlete should "sit tall" and "spread the chest" with1k{E{0PzFWh+qnخv+gOb4 'ޑQ; U_ <\,M+pq TIeFcb>f'?sCES,$eWO pH`b|2^zh׷wWa *?8aoB?&\F'xWns* kaOՃ18H4٪K>vYֹֽӖ S1M#P17p&3֔>a0kKra3+uDӗpfҸsiʈ 3Ed@[xEIP^ak戴$Q Gcol߲t ɏ>'{){m an'bEe}.pnGcdYKV N/oÆ9"` cw|2V0dUFy̚k㈙{(Qs~|æO㋊IrP.